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Remix: Making Art and Commerce Thrive in the Hybrid Economy | 
 enlarge | Author: Lawrence Lessig
Publisher: Penguin Press HC, The
Category: Book
List Price: $25.95
Buy New: $14.78
You Save: $11.17 (43%)
New (38) Used (7) from $14.78
Rating:  9 reviews
Sales Rank: 852
Media: Hardcover
Pages: 352
Number Of Items: 1
Shipping Weight (lbs): 1.1
Dimensions (in): 8.4 x 5.7 x 1
ISBN: 1594201722
Dewey Decimal Number: 346.730482
EAN: 9781594201721
ASIN: 1594201722
Publication Date: October 16, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Order with confidence. Code: B20090107232017T
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Product Description
The author of Free Culture shows how we harm our children and almost anyone who creates, enjoys, or sells any art form with a restrictive copyright system driven by corporate interests. Lessig reveals the solutions to this impasse offered by a collaborative yet profitable hybrid economy .
Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war a war waged against our kids and others who create and consume art. America s copyright laws have ceased to perform their original, beneficial role: protecting artists creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions.
For many, new technologies have made it irresistible to flout these unreasonable and ultimately untenable laws. Some of today s most talented artists are felons, and so are our kids, who see no reason why they shouldn t do what their computers and the Web let them do, from burning a copyrighted CD for a friend to biting riffs from films, videos, songs, etc and making new art from them.
Criminalizing our children and others is exactly what our society should not do, and Lessig shows how we can and must end this conflict a war as ill conceived and unwinnable as the war on drugs. By embracing read-write culture, which allows its users to create art as readily as they consume it, we can ensure that creators get the support artistic, commercial, and ethical that they deserve and need. Indeed, we can already see glimmers of a new hybrid economy that combines the profit motives of traditional business with the sharing economy evident in such Web sites as Wikipedia and YouTube. The hybrid economy will become ever more prominent in every creative realm from news to music and Lessig shows how we can and should use it to benefit those who make and consume culture.
Remix is an urgent, eloquent plea to end a war that harms our children and other intrepid creative users of new technologies. It also offers an inspiring vision of the post-war world where enormous opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.
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| Customer Reviews: Read 4 more reviews...
 Love Lessig; not loving paying $16 for book on Kindle. January 10, 2009
Molly L. Gordon (Suquamish, WA USA)
There's something wrong with this picture. Lawrence Lessig, champion of remixing, challenger of the DMCA, and generally information-positive, seems like the last author whose book should be priced above the Kindle standard of $9.99.
I've chosen not to purchase several other books (the exception being technical and reference works) because they were priced above this. I wanted to read Lessig badly enough that I made an exception. This review is reparation to myself for going against my decision regarding Kindle pricing.
Essential, Required Reading January 9, 2009
gd586 (New York City)
The amazing thing about this book is that Lessig is getting at something bigger than just the parental worries of children sharing music and videos through the internet. He is pointing out the very serious question of where our culture is now heading toward. The World Wide Web and digital technologies has changed its course, and we now need to begin an open discussion of how we, as a community of artists, lawmakers, corporations, and the viewing (and hopefully remixing) public, would like to move forward in the 21st Century. Lessig makes an excellent contribution to this primal, immediate, and ultimately eternal conversation in "Remix".
An eye opening book December 25, 2008
Ryan Sturgis
Lawrence Lessig's "Remix" truly brings the ideas of the Creative Commons and intellectual property rights to the forefront of the debate, where they should stay. As somoeone with access to the Internet from a very young age, "Remix" makes me think about all the other creative and intellectual good that outdated policies now restrict from futher developing our culture and society as a whole. I now don't take for granted this tool that is a part of our everyday lives. That we need to stand up and fight it, so we don't lose another century of arts and science to polititions that are stuck in 20th century policy making. "Remix" is a glimmer of hope for me and hopefully you.
one of the most intellegent people out there December 14, 2008
S. Davila (fort worth, tx)
Reading or listening to genuinely intelligent people's work is one of my favorite things. Larry Lessig is definitely one of those people. I highly recommend his work, it will make you smarter!
Think of the children December 4, 2008
Nathan Otto (Oregon, USA)
10 out of 10 found this review helpful
The core of this book is a question about what kind of world we want to create for future generations. Lessig presents an argument that the natural way humans interact with content is to remix it, as we are used to doing with text. Just as we take no offense when somebody quotes our text in their own communication, we should resist the urge to control "quoting" of our digital content.
This is a passionately written book, but it takes some engagement with the issue to really enjoy it. Starting with another of Lessig's books, The Future of Ideas: The Fate of the Commons in a Connected World, might help a reader get into the subject, but once he or she realizes the consequences of culture's legal stance on this issue, Lessig's perspective becomes invaluable to have around. That book more sets out the conditions created by sharing economies, where Remix looks for how art and business can survive under these conditions.
Lessig's lessons on how businesses can thrive or fail as hybrids may help content-producers get a grip as the financial industry melts down.
The main point, as I said, is about the world and culture we create for our children. Do we want a world where they have free "speech" in hundreds of digital "languages", or one where their natural abilities are locked down? Lessig offers advice on how to change law and ourselves to create a culture where our children's expression is cherished (for the sake of their education and their community-building). He wants to start a conversation about how business can thrive among sharing economies as well. This book will be a key perspective in that conversation.
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